{"id":9,"date":"2024-01-20T13:02:58","date_gmt":"2024-01-20T13:02:58","guid":{"rendered":"https:\/\/nadirbabouri.fr\/Flatness\/?page_id=9"},"modified":"2025-06-10T11:59:51","modified_gmt":"2025-06-10T11:59:51","slug":"elementor-9","status":"publish","type":"page","link":"https:\/\/nadirbabouri.be\/Flatness\/","title":{"rendered":""},"content":{"rendered":"\t\t
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Flatness<\/em> (Rehearsal)<\/p>

Conception & Composition Audiovisuelle : nadir B.<\/p>

Chor\u00e9graphie : Iss\u00f4 Miura<\/p>

Percussions & \u00c9lectronique : nadir B.<\/p>

Performance \u00e0 l’Institut Fran\u00e7ais de Tokyo | 15\/06\/2024<\/p>

https:\/\/culture.institutfrancais.jp\/exposition-gewalt<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Flatness<\/em> est une performance audiovisuelle qui conjugue une ligne musicale compos\u00e9e de miniatures \u00e9lectroacoustiques, une ligne graphique fini repr\u00e9sentant la variation de l\u2019amplitude de cette ligne musicale dans le temps, et une ligne chor\u00e9graphique compos\u00e9e par un danseur contemporain op\u00e9rant la conjugaison. Flatness<\/em> est une performance dans laquelle un individu se trouve sans cesse en pourparlers avec lui-m\u00eame, avec les lignes qu’il trace, avec l\u2019\u00e9lan vital qu’il engage \u00ab \u2026 [afin] de d\u00e9passer les sch\u00e9mas culturels et les institutions qui le privent de la compr\u00e9hension de ses possibilit\u00e9s et de ses limites, et l\u2019enferment dans cette duret\u00e9 \u00e0 l\u2019\u00e9gard de l\u2019autre et de lui-m\u00eame.\u00bb*<\/p>

Flatness est aussi un hommage \u00e0 la danse But\u014d qui tente de d\u00e9masquer le corps social de l\u2019individu culturellement mani\u00e9r\u00e9.<\/p>

Isso Miura. Born in Pyongyang (1937); Japan Mime Institute learned with Hironobu Oikawa, Kazuo Ohno, Shinya Ando (1962); “The Act of Bowing” with Kei Takei, Takehisa Kosugi, Toshi Ichiyanagi, Yasunao Tone (1965); Butoh-sha VAV starts. “Miroir de la tauromachie” with Yeisei Yano, Tomoko Fujii (1967); Bring Butoh to the Nancy World Theater Festival, Guest Performance (Butoh) Butoh-sha VAV “Gate”, International Group Theater Festival organized by Eugenio Barba and Growtowtsky in Bergamo Italy (Miura met Barba in 1977); Encuentro Ayacucho (next to the Odin Teatret 1978); International Year of the Child (UNESCO) invited Odin Teatret to Japan. Performance in Kamagasaki. (1980); invited Jan Fabre to Japan (1986); tour with European Company (1989); Ayacucho Peru Meeting (2018).<\/p>

Miura has been one of the early founders of Butoh in the broadest sense, since 1950. He learned alongside Kazuo Ohno and Hironobu Oikawa. And one of the early dancers who introduced Butoh in France and Poland back in 1960. Eugenio Barba recognized Miura’s work and presented it to Latin America at the Encuentro Ayacucho Per\u00fa (1978).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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