{"id":1,"date":"2014-12-13T13:15:05","date_gmt":"2014-12-13T13:15:05","guid":{"rendered":"http:\/\/nadirbabouri.fr\/juliettedonadieu\/?p=1"},"modified":"2018-03-20T10:28:55","modified_gmt":"2018-03-20T10:28:55","slug":"autour-de-cathy-berberian-edition-00","status":"publish","type":"post","link":"https:\/\/nadirbabouri.be\/juliettedonadieu\/autour-de-cathy-berberian-edition-00\/","title":{"rendered":"EDITION N\u00b00"},"content":{"rendered":"

\"Folk<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a9Loup Th\u00e9venin<\/span><\/p>\n






<\/p>\n

 <\/p>\n

Jeudi 10 mai 2012 – 20h30 – Auditorium du conservatoire Jacques Ibert, Paris XIX<\/p>\n

Projet initi\u00e9 par Nadir Babouri et encadr\u00e9 par Juliette Donadieu<\/p>\n



<\/p>\n

Folk Songs for Cathy Berberian – Luciano Berio<\/span><\/p>\n

 <\/p>\n

1. Black is the color… (Etats-Unis)<\/p>\n

2. I wonder as I wander (Etats-Unis)<\/p>\n

3. Loosin yelav (Arm\u00e9nie)<\/p>\n

4. Rossignolet du bois (France)<\/p>\n

5. A la femminisca (Sicile)<\/p>\n

6. La donna ideale (Italie)<\/p>\n

7. Ballo (Italie)<\/p>\n

8. Motettu de tristura (Sardaigne)<\/p>\n

9. Malurous qu’o uno fenno (Auvergne)<\/p>\n

10. Lo fiolaire (Auvergne)<\/p>\n

11. Azerbaijan love song (Azerbaijan)<\/p>\n

 <\/p>\n

Marie Matherat (1, 4, 7, 10), Marie Gilly-Poitou (2, 3, 6), Pauline Thomas (5, 8, 9)<\/p>\n

H\u00e9l\u00e8ne Caudron, percussions
\nAbiga\u00efl Chomarat, alto
\nJuliette Donadieu, clarinette
\nGabriela Gumucio, harpe
\nMathilde Long, violoncelle
\nHiroko Matsumoto, fl\u00fbte et fl\u00fbte piccolo<\/p>\n

 <\/p>\n

Otto e mezzo (Huit et demi) – Nino Rota<\/span><\/p>\n

 <\/p>\n

Arrangement de la musique du film \u00e9ponyme de Federico Fellini pour ensemble de clarinettes et interludes vid\u00e9os. El\u00e8ves des classes de clarinette d’Emmanuelle Brunat, Olivier Derbesse et Arnaud Leroy
Sami Dubot, piano<\/p>\n

Nadir Babouri, r\u00e9alisation audio et vid\u00e9o<\/p>\n

St\u00e9phane Schmidt, r\u00e9gie<\/p>\n

et les participants de la premi\u00e8re partie\u2026<\/p>\n

 <\/p>\n

Note sur la deuxi\u00e8me partie :<\/p>\n

 <\/p>\n

Et si on pouvait rassembler les \u00e9l\u00e8ves de tous horizons le temps d\u2019un morceau ? C\u2019est \u00e0 partir de cette question qu\u2019Emmanuelle Brunat, professeur au conservatoire Jacques Ibert, nous propose un arrangement pour ensemble de clarinettes de la musique du film Otto e mezzo.<\/p>\n

Il s\u2019agit d\u2019abord de r\u00e9-arranger l\u2019arrangement qui est encore trop compliqu\u00e9 pour certains \u00e9l\u00e8ves en herbe afin de trouver un \u00e9quilibre o\u00f9 petits et grands auront leur place.<\/p>\n

Et puis, il y a le film.<\/p>\n

Nous le d\u00e9couvrons avec fascination. Apr\u00e8s multiples visionnages infatigables, nous go\u00fbtons les liens \u00e9troits entre images, musiques et voix, que Federico Fellini agence avec subtilit\u00e9 avec l\u2019apport de Nino Rota.<\/p>\n

Cela am\u00e8ne Nadir \u00e0 proposer d\u2019int\u00e9grer des s\u00e9quences du film au sein de l\u2019arrangement. Ainsi, nous imaginons ensemble un d\u00e9roul\u00e9 o\u00f9 s\u2019alternent s\u00e9quences vid\u00e9os, s\u00e9quences audio et musique live – utilisant parfois le proc\u00e9d\u00e9 de tuilage, cher \u00e0 M. St\u00e9phane Etcharry, professeur d\u2019analyse au conservatoire Jacques Ibert.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a9Loup Th\u00e9venin   Jeudi 10 mai 2012 – 20h30 – Auditorium du […]<\/p>\n","protected":false},"author":1,"featured_media":4,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-1","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-autour-de-cathy-b","8":"czr-hentry"},"_links":{"self":[{"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/posts\/1","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/comments?post=1"}],"version-history":[{"count":38,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/posts\/1\/revisions"}],"predecessor-version":[{"id":384,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/posts\/1\/revisions\/384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/media\/4"}],"wp:attachment":[{"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/media?parent=1"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/categories?post=1"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nadirbabouri.be\/juliettedonadieu\/wp-json\/wp\/v2\/tags?post=1"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}